Absolute Wilson

absolute-wilson

Time:

  • 5pm and 8pm
  • March 9, 2007

Where:

  • The Tower Theater
  • 815 E. Olive Avenue

Synopsis

This is a film about a full life, and art is part of it. It is not a film about art and life as part of it.

That’s how filmmaker Katharina Otto-Bernstein sums up her new documentary ABSOLUTE WILSON, a richly provocative and moving portrait of one of the most visionary theater artists of our time, the legendary Robert Wilson. The film delivers a surprisingly candid look at Robert Wilson the man, who drops his characteristic reticence and speaks with astonishing candor about his personal life: his troubled and lonely childhood as the son of the Mayor of Waco, Texas; his early learning disabilities; his work with disabled children using therapy as a tool for artistic expression; his departure from Texas at the time of his coming out and his fascination with the downtown New York avant-garde scene of the late 60′s. What emerges is a life full of impressions, colors and rhythms, making it all the more poignant how Wilson’s early hardships ultimately shaped his ground-breaking aesthetic vision, creating some of the most historic theatre and opera productions of the twentieth century. All told, it is a remarkable tale of a shy, stuttering boy’s triumph over adversity. As director Otto-Bernstein exuberantly puts it, ABSOLUTE WILSON “tells a story for everyone to see how anything’s possible — it really is an extraordinary American success story.”

Written and Directed by Katharina Otto-Bernstein
USA, 2006
105 min., Unrated

Reviews

Impressive as is Wilson’s output and oeuvre, it’s the fully-engaged, aesthetically driven life that fascinates. And Otto-Bernstein’s movie is a portrait of an artist at his most essential, in every sense.
Carina Chocano, Los Angeles Times
Absolute Wilson doesn’t depend on believing in Wilson’s greatness, just on his immense cultural potency and the extraordinary nature of his personal odyssey.
Andrew O’Hehir, Salon.com
Overall impression is one of unrestricted access and harmonious cooperation, which certainly helps to humanize the often daunting scope and style of Wilson’s work.
Eddie Cockrell, Variety
Impressive as is Wilson’s output and oeuvre, it’s the fully-engaged, aesthetically driven life that fascinates. And Otto-Bernstein’s movie is a portrait of an artist at his most essential, in every sense.
Carina Chocano, Los Angeles Times
Absolute Wilson doesn’t depend on believing in Wilson’s greatness, just on his immense cultural potency and the extraordinary nature of his personal odyssey.
Andrew O’Hehir, Salon.com
Overall impression is one of unrestricted access and harmonious cooperation, which certainly helps to humanize the often daunting scope and style of Wilson’s work.
Eddie Cockrell, Variety

Every second Friday of the month Fresno Filmworks showcases first-run international and American independent feature films at The Tower Theatre.